“Squid” star Lee Jong Jae in the movie “Bloodbath Hunt” rattles Can

Chase It is – excitingly or disappointingly, depending on your preference – not a gritty, character-based reboot of Mission: Impossible The franchise, but rather a South Korean political thriller, made by squid game Superstar Lee Jong Jae makes his directorial debut. fact that Chase It’s pretty clear that the debut, with all the rugged, messy execution that this implies, is partially offset by the sheer energy of the movie and its choppy budget, which helps turn the entire workout into wham-bam guns ‘n’ romp explosions.

At the beginning Chase, a series of stark title cards and hilarious widescreen scenes provide plenty of information about the political situation in which the film is embedded: the heyday of South Korea’s military dictatorship in the 1980s, when the country was seeking a path toward Western growth. In these editorial vignettes, the camera actively works its way through the crowds, zooms in here and there, and generally gives a good sense of urgency, as intelligence officers watch a student demonstration likely turn violent — which it does, suddenly and ironically The film is shot in a completely different territory, where it then turns into a straightforward and essentially apolitical shoot. Here, with the violence turning eleven, Lee Jung-jae indulges in some big fixed pieces that obviously matter to him the most, and are thus given more budget than all things political intrigue. This pre-credits sequence gives scale to the movie as a whole, which at times seems to lose track of its own intentions, or get oddly bored with its narrative rhythms, before summoning some energy to a fight with a sharp fist on a staircase.

As for the story itself: Jung Jae, who directs himself in one of the main roles, plays Park Byung Ho, an intelligence officer whose investigation into the presence of a spy within his organization leads to a conflict with Kim Jong Do (Young). Woo-sung), another spy chief. Park and Kim aren’t superbly well defined, as both actors bring a stern, sassy stubbornness to their roles. Indeed, the hostility, and then the cooperation, between these two mismatched conditional forms brings to mind, in an unfamiliar way, the agonizing dynamic between Jay Pearce-Russell Crowe in LA secret: In this movie, both characters are allowed to push against each other, complement each other, and grow together – while in existence Chase, the heroes are presented with just a series of heated confrontations, a big old flick in the corridors of power, and a final piece with the world exploding around them. This is all very well for the purposes of presenting a chaotic action vehicle, but it begins to fade somewhat around the 80-minute mark, when the movie is still, stubbornly but half-heartedly, trying to pique your interest in some emotional subplot.

This is all very well for the purposes of presenting a chaotic action vehicle, but it begins to fade somewhat around the 80-minute mark, when the movie is still, stubbornly but half-heartedly, trying to pique your interest in some emotional subplot.

Chase Prices are somewhat happier in the movement segments: the big shootout at the dry cleaning store; a smaller scene of shooting, slashing and torture in the secret digs of the bad guys; A car chase followed by a medium-sized shootout; Massive shootout during the official visit of the President. Here, although the mod needs to be arranged and the action movie clichés a lot, Lee Jung-jae summons a vitality that’s lacking elsewhere. This is visible in Chasebloodthirsty; Although the film’s combat is somewhat flowery according to the codes of the genre, we are still allowed to hear the human cost to it: oddly shattered bones, gore drenching at the collar of the shirt, and the sinister seal character of the boot on a rapidly changing face. There is a surprising amount of machine guns in this movie, as well as grenades, pistols, and assorted explosives, which translates into a truly iconic body count when the movie is finished. Sometimes, ChaseExcessive violence (there is also a lot of torture!) threatens to turn into a parody, or a caricature: it is sometimes reminiscent, in this respect, of an imaginary car chase in blues brothers which lasts so long that one of the protagonists begins to fall asleep. These entries also detract from the bloodshed of the film’s story, about love, betrayal or something else, which never gets the slightest chance of getting home.

Lee Jong Jae, who co-wrote the script as well as directing and performing, shows some hope in this movie, which can be pretty quick from an official standpoint: atmospheric lighting, a great score, and a decent eye for makeup helps keep the show on the rails, Even as the movie teeters toward its final conclusion with many crazy false endings. Chase Results when you display focus rather than trying to do too much at once: This is the kind of organization we hope the sharp-eyed producer will bring to the actor-director’s next adventure. Perhaps the next person doesn’t need to take a country thermometer, dissect masculinity, deliver a twisted narrative and orchestrate numerous bouts of violence, but can instead set his sights on just delivering some totally weightless murder, without being weighed down simply by meaning.